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Electronic Superhighway: Continental U.S., Alaska, Hawaii

Smithsonian American Art Museum and its Renwick Gallery

Object Details

Artist
Nam June Paik, born Seoul, Korea 1932-died Miami Beach, FL 2006
Gallery Label
Paik predicted, in 1965, that "someday artists will work with capacitors, resistors, and semiconductors as they work today with brushes, violins and junk." Over the decades, his own work stayed in constant conversation with how new technologies reshape the world. Electronic Superhighway playfully engages three such forces--the US interstate highway system, cable television, and the emergent internet of the 1990s.
In this TV map, neon-outlined states play a mix of borrowed and original footage. Each distinct channel reveals Paik's associations with or understanding of that state. Some video collages draw from personal connections, like Paik's recordings of longtime collaborator and cellist Charlotte Moorman filling the screens in her home state of Arkansas (along with images of then president Bill Clinton, also from Arkansas). Others incorporate existing media representations, with the movie musical Oklahoma! filling Oklahoma, and edits from a documentary on the 1950s Montgomery bus boycotts echoing from Alabama. A closed-circuit camera marks Washington, DC, where gallery visitors can see themselves in real time. This suggests the map is also a portrait, reflecting how media and mediation shape views of ourselves and each other at national, regional, and individual levels.
Audio Note: Synced television sounds match a handful of states' channels, so the audio spreads and blends across the length of the map. At different moments, various soundtracks become louder and dominate; at other times it is a noisy collage. The appropriated movie musicals--Oklahoma! in Oklahoma, Meet Me in St. Louis in Missouri, and The Wizard of Oz in Kansas--are each audible when standing nearby and as their songs reach a crescendo. Uniquely, the audio related to the Montgomery bus boycotts, which includes speeches by Malcolm X and Martin Luther King Jr., plays through speakers on both sides of the map, not just near Alabama, making it the most prominent and legible part of the sound mix.
Credit Line
Smithsonian American Art Museum, Gift of the artist
Copyright
© Nam June Paik Estate
1995
Object number
2002.23
Restrictions & Rights
Usage conditions apply
Type
Media Arts
Medium
fifty-one channel video installation (including one closed-circuit television feed), custom electronics, neon lighting, steel and wood; color, sound
Dimensions
approx. 15 x 40 x 4 ft.
See more items in
Smithsonian American Art Museum Collection
Department
Time-Based Media Art
On View
Smithsonian American Art Museum, 3rd Floor, East Wing
Smithsonian American Art Museum
Topic
Landscape\United States
Object\written matter\map
Object\furniture\television
Record ID
saam_2002.23
Metadata Usage (text)
Not determined
GUID (Link to Original Record)
http://n2t.net/ark:/65665/vk7ca9af991-d106-41a1-b9c9-c14272c32cc1

Related Content

  • Asian American Artists and Selected Works

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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