The Smithsonian’s National Zoo and Conservation Biology Institute welcomed two pygmy slow lorises babies March 21 to mother Naga and father Pabu in the Small Mammal House. Credit: Kara Ingraham, Smithsonian’s National Zoo and Conservation Biology Institute
National Archives, Washington, DC | Transcript: Originally published in Indian Affairs: Laws and Treaties, compiled and edited by Charles J. Kappler, 1904; digitized by Oklahoma State University.
Visitors at the Anacostia Community Museum’s 2023 Honor the Earth Celebration plant the museum’s garden to start the spring season. Credit: Matilong Duma.
Part of a Five-Year Series of May Programming Sponsored by Bank of America That Celebrates Asian American and Native Hawaiian Pacific Islander Heritage Month
Unidentified Maker, Crazy Star; ca. 1920, Arthur, Illinois, cotton and wool; 74 x 63 ½ in. (detail), Collection of Faith and Stephen Brown, Promised gift to the Smithsonian American Art Museum.
Arjan Mann (right), a Smithsonian postdoctoral paleontologist and former Peter Buck Fellow, and Calvin So (left), a doctoral student at George Washington University, holding the fossil skull of Kermitops in front of the Kermit the Frog puppet display in the “Entertainment Nation” exhibition at the Smithsonian’s National Museum of American History.
Photo credit: James D. Tiller and James Di Loreto, Smithsonian. Fossil skull of Kermitops;USNM PAL 407585, Department of Paleobiology, Smithsonian Institution. Kermit the Frog puppet; 1994.0037.01, Gift of Jim Henson Productions. From the collections at National Museum of American History, Smithsonian Institution.
Do Ho Suh (b. 1962, South Korea) “Public Figures” (detail), 1998–2023, Jesmonite, aluminum, polyester resin. Credit: Courtesy the artist and Lehmann Maupin, New York, Seoul and London.
Opal Lee by Sedrick Huckaby, oil on canvas, 2023. National Portrait Gallery, Smithsonian Institution; acquired through the generosity of Sasha and Edward P. Bass. Copyright 2023 Sedrick Huckaby.
Embossed gold jar (detail), Ōnuma Chihiro (b. 1950), Japan, Shōwa era, 1988, hammered copper with amalgam gilding (kinkeshi), National Museum of Asian Art, Smithsonian Institution, Bequest of Shirley Z. Johnson, S2022.8.37a–c Copyright Ōnuma Chihiro.
Left: John Singer Sargent, “Mrs. Kate A. Moore,” 1884. Oil on canvas; 71 5/8 x 45 3/4 in. (181.9 x 116.2 cm). Gift of Joseph H. Hirshhorn, 1972 (72.257). Photo: Lee Stalsworth.
Right: Amoako Boafo, “Cobalt Blue Dress,” 2020. Oil on canvas; 78 3/8 x 60 1/2 in. (199.1 x 153.7 cm). Gift of Sandra and Howard Hoffen, 2022 (2022.016). Photo: Rob Blunt.
